Yotsuya Kaidan - Wikipedia. Yotsuya Kaidan (. Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 3. Japanese horror today. Written in 1. 82. Tsuruya Nanboku IV as a kabuki play, the original title was T. Normally, with a Kabuki double- feature, the first play is staged in its entirety, followed by the second play. However, in the case of Yotsuya Kaidan it was decided to interweave the two dramas, with a full staging on two days: the first day started with Kanadehon Chushingura from Act I to Act VI, followed by T. The following day started with the Onbo canal scene, followed by Kanadehon Chushingura from Act VII to Act XI, then came Act IV and Act V of T. The story tapped into people. However, the base story usually remains the same and recognizable.(Note: the following summary is of the original 1. Nakamuraza production. As such, it does not detail the numerous subplots and characters added to the story over the intervening years.)Tamiya Iemon, a r. After it is suggested by Samon that Iemon and his daughter should separate, the ronin becomes enraged and murders Samon. The next scene focuses on the character Naosuke who is sexually obsessed with Oiwa's sister, the prostitute Osode, despite her being already married to another man, Sat. As this scene begins, Naosuke is at the local brothel making romantic advances toward Osode when Yomoshichi and the brothel's owner, Takuetsu, enter. Unable to pay a fee demanded by Takuetsu, he is mocked by both Yomoshichi and Osode and forcibly removed. Shortly thereafter an intoxicated Naosuke murders Okuda Sh. This is implied to occur at the precise time of the slaying of Samon. It is at this point that Iemon and Naosuke unite and conspire to mislead Oiwa and Osode into believing that they will exact revenge on the people responsible for their father's death. In return Osode agrees to marry Naosuke. Oume, the granddaughter of It. However, believing herself to be less attractive than Oiwa, she doesn't think Iemon will ever want to become her husband. Sympathizing with Oume's plight, the It. Oiwa, unbeknownst to her at the time, is instantly scarred by the cream when she applies it. Upon seeing his wife's ghastly new countenance, Iemon decides he can no longer remain with her. He asks Takuetsu to rape Oiwa so that he will have an honorable basis for divorce. Takuetsu cannot bring himself to do this so, instead, he simply shows Oiwa her reflection in a mirror. Realizing that she has been deceived, Oiwa becomes hysterical and, picking up a sword, runs towards the door. Takuetsu moves to grab her but Oiwa, attempting to evade him, accidentally punctures her own throat with the sword's tip. As she lies bleeding to death before a stunned Takuetsu, she curses Iemon's name. Not long after, Iemon becomes engaged to Oume. Act 2 closes with Iemon being tricked by Oiwa's ghost into slaying both Oume and her grandfather on the night of the wedding. The remaining members of the It. Iemon kicks Oyumi, the mother of Oume, into the Onb. Naosuke arrives in disguise as Gonbei, an eel vendor, and blackmails Iemon into handing over a valuable document. Iemon contemplates his prospects while fishing at the Onb.
On the embankment above the canal Iemon, Yomoshichi and Naosuke appear to fumble as they struggle for possession of a note which passes from hand to hand in the darkness. At the opening Naosuke is pressuring Osode to consummate their marriage, to which she seems oddly averse. Yomoshichi appears and accuses Osode of adultery. Osode resigns herself to death in atonement and convinces Naosuke and Yomoshichi that they should kill her. This story was first told in the form of a Kabuki play in 1825. 10,212 pages on this wiki. It closes with Iemon being tricked by Oiwa's ghost into slaying both Oume and her grandfather on the. She leaves a farewell note from which Naosuke learns that Osode was his younger sister. For the shame of this, as well as for the killing of his former master, he commits suicide. Iemon, still haunted by the ghost of Oiwa, flees to an isolated mountain retreat. There he rapidly descends into madness as his dreams and reality begin to merge and Oiwa's haunting intensifies. The act closes with Yomoshichi slaying Iemon out of both vengeance and compassion. Historical basis. The first involved two servants who had murdered their respective masters. They were caught and executed on the same day. The second murder was from a samurai who discovered his concubine was having an affair with a servant. The samurai had the faithless concubine and servant nailed to a wooden board and thrown into the Kanda River. Popularity. The Bunsei era was a time of social unrest, and the repressed position of women in society was severe. The exchange of power for powerlessness was something audiences could relate to. Oiwa went from a delicate victim to a powerful avenger, while Iemon transforms from tormentor to tormented. Also, Oiwa is much more direct in her vengeance than Okiku, another popular kabuki ghost, and she is much more brutal. This added level of violence thrilled audiences, who were seeking more and more violent forms of entertainment. In addition, the performance of Yotsuya Kaidan was filled with fantastic special effects, with her ruined face projecting magnificently from an onstage lantern, and her hair falling out in impossible amounts. Yotsuya Kaidan paired the conventions of kizewamono . Her strong passion for revenge allows her to bridge the gap back to Earth. She shares most of the common traits of this style of Japanese ghost, including the white dress representing the burial kimono she would have worn, the long, ragged hair and white/indigo face that marks a ghost in kabuki theater. There are specific traits to Oiwa that set her apart physically from other onryo. Most famous is her left eye, which droops down her face due to poison given her by Iemon. This feature is exaggerated in kabuki performances to give Oiwa a distinct appearance. She is often shown as partially bald, another effect of the poison. In a spectacular scene in the kabuki play, the living Oiwa sits before a mirror and combs her hair, which comes falling out due to the poison. This scene is a subversion of erotically- charged hair combing scenes in kabuki love plays. The date of her death is listed as February 2. Her final appearance is a direct adaptation of Oiwa, including the cascading hair and drooping, malformed eye. She is recognizable by her drooping eyes and partial baldness. An unusual image featuring a still- living Oiwa was depicted as one of the New Forms of Thirty- Six Ghosts by Tsukioka Yoshitoshi. Katsushika Hokusai created perhaps the most iconic image of Oiwa, in his series One Hundred Ghost Stories, in which he drew the face of her angry spirit merged with a temple lantern. Shunkosai Hokuei made a visual quotation of Hokusai's design in the illustration above, including Iemon as he turns to meet the apparition, drawing his sword. A notable adaptation was Shimpan Yotsuya Kaidan by It. A 1. 94. 9 adaptation, Yotsuya Kaidan I & II, by Kinoshita Keisuke removed the ghostly elements and presented Oiwa as an apparition of her husband's guilty psyche. In 1. 99. 4, Kinji Fukasaku returned to the Kabuki roots and combined the stories of Ch. Story 1 of the Japanese television drama. Kaidan Hyaku Shosetsu was a version of Yotsuya Kaidan. This romanization gives a more archaic feel to the name (and also makes it less likely to be misread by Westerners as . Retrieved July 6, 2. Retrieved February 2. TOPICS online magazine. Retrieved February 2. Retrieved July 2.
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